17 agosto 2019 film di yves saint laurent su iris | iris serie tv

On August 17th, 2019, Iris, the Italian television channel, broadcast Jalil Lespert's biographical film, *Yves Saint Laurent*. This screening offered viewers a compelling glimpse into the life and career of the iconic French fashion designer, Yves Saint Laurent, from his early beginnings to his meteoric rise and the complexities of his personal life. Starring Pierre Niney as Yves Saint Laurent, Guillaume Gallienne as Pierre Bergé, Charlotte Le Bon as Victoire Doutreleau, and Laura Smet, the film provides a nuanced and often intimate portrayal of a man who revolutionized the fashion world.

This article delves into the film's narrative, its key performances, its historical accuracy, and its reception, offering a comprehensive analysis of why *Yves Saint Laurent* remains a significant contribution to biographical cinema and a must-watch for anyone interested in fashion history, artistic genius, and the turbulent lives of creative visionaries. We will also explore the context of its airing on Iris, a channel known for its focus on classic films and thought-provoking programming, and why this particular biopic resonated with its audience.

A Glimpse into Genius: The Narrative of *Yves Saint Laurent

Jalil Lespert’s *Yves Saint Laurent* takes a chronological approach to depicting the designer's life, starting in 1957 when Yves Saint Laurent, at the tender age of 21, is thrust into the spotlight as the head designer of the House of Dior following the sudden death of Christian Dior himself. This dramatic elevation to a position of immense responsibility forms the initial crux of the film, showcasing the immense pressure and self-doubt that Saint Laurent faced.

The film meticulously portrays the young designer's creative process, highlighting his innate talent and his revolutionary ideas, which often clashed with the conservative expectations of the fashion world. We witness his struggles to balance his artistic vision with the commercial demands of the House of Dior, a tension that ultimately leads to his nervous breakdown and subsequent dismissal.

A pivotal moment in the film is Saint Laurent's meeting with Pierre Bergé, a businessman and art collector who becomes his lifelong partner, both romantically and professionally. Bergé's unwavering support and business acumen are crucial in enabling Saint Laurent to establish his own fashion house, Yves Saint Laurent (YSL), in 1961.

The establishment of YSL marks a turning point in both the film and Saint Laurent's life. We witness the birth of iconic collections, such as the Mondrian collection, the Le Smoking tuxedo suit for women, and the safari jacket, which challenged traditional notions of femininity and masculinity in fashion. The film effectively conveys the groundbreaking nature of Saint Laurent's designs and their impact on society.

However, the film doesn't shy away from depicting the darker aspects of Saint Laurent's life. As his fame and success grow, he grapples with increasing anxiety, depression, and substance abuse. His personal demons are portrayed with sensitivity and realism, offering a glimpse into the fragility and vulnerability that lay beneath the surface of the seemingly confident and successful designer.

The film also explores the complex dynamics of Saint Laurent and Bergé's relationship. While their professional partnership remained strong, their romantic relationship faced numerous challenges, including Saint Laurent's infidelities and his struggles with mental health. The film offers a nuanced portrayal of their love, loyalty, and the sacrifices they made for each other.

The latter part of the film depicts Saint Laurent's continued success and his growing isolation. We see him struggling to maintain his creative edge amidst the changing trends of the fashion world and the pressures of maintaining his brand's image. The film concludes with a reflection on Saint Laurent's legacy and his lasting impact on fashion and culture.

Stellar Performances: The Cast of *Yves Saint Laurent17 agosto 2019 film di yves saint laurent su iris

The success of *Yves Saint Laurent* hinges significantly on the strength of its performances, particularly Pierre Niney's portrayal of the titular character. Niney's performance is widely regarded as a tour de force, capturing Saint Laurent's physical appearance, his mannerisms, and his complex inner world with remarkable accuracy and sensitivity. He embodies the designer's vulnerability, his artistic genius, and his struggles with mental health, earning him the César Award for Best Actor.

Guillaume Gallienne delivers a compelling performance as Pierre Bergé, portraying him as a strong, intelligent, and fiercely loyal partner to Saint Laurent. Gallienne captures Bergé's business acumen, his unwavering support, and his deep love for Saint Laurent, even amidst the challenges of their relationship. His performance provides a crucial counterpoint to Niney's portrayal of Saint Laurent, offering a balanced and nuanced perspective on their dynamic.

Charlotte Le Bon shines as Victoire Doutreleau, Saint Laurent's muse and one of the most recognizable faces of the YSL brand. Le Bon captures Doutreleau's beauty, her charisma, and her role in inspiring Saint Laurent's designs. Her performance adds another layer of complexity to the film, highlighting the importance of muses in the creative process.

Laura Smet also delivers a memorable performance, contributing to the overall richness of the ensemble cast. While her role might be smaller compared to the leads, she adds depth and authenticity to the portrayal of the fashion world surrounding Saint Laurent.

The strength of the ensemble cast contributes significantly to the film's overall impact, creating a believable and compelling portrayal of the world of Yves Saint Laurent.