intro rolex werenoi parole | Intro Rolex Lyrics

Werenoi, a name rapidly ascending within the French rap scene, has captured the attention of listeners with his raw delivery, gritty realism, and unflinching portrayal of street life. One of his tracks that has particularly resonated with audiences is "Intro Rolex," a concise yet powerful introduction to his world. This article will delve deep into the lyrics of "Intro Rolex," dissecting its themes, exploring its cultural context, and examining its significance within Werenoi's broader artistic oeuvre. We'll also provide translations and explore the nuances that might be missed by non-French speakers.

The Raw Essence of "Intro Rolex": Setting the Stage

"Intro Rolex" isn't just a song; it's a statement. It's a declaration of intent, a snapshot of a specific reality, and a testament to the power of concise lyricism. The brevity of the track only amplifies its impact, leaving a lasting impression on the listener. It's a masterclass in world-building, creating a vivid and compelling picture with just a few carefully chosen lines.

Let's examine the original French lyrics:

* "On met pas d'montres pour l'heure, elles sont pas à l'heure, ici, on juge au poignet"

* "J'ai vu ces chiens à l'arrêt d'bus, le Brabus passe, j'entends aboyer"

* "Y a..." (The song typically cuts off at this point, leaving the listener wanting more.)

Deconstructing the Lyrics: A Deeper Dive

Each line of "Intro Rolex" is laden with meaning, offering a glimpse into the values, struggles, and environment that shape Werenoi's perspective.

Line 1: "On met pas d'montres pour l'heure, elles sont pas à l'heure, ici, on juge au poignet"

This line immediately establishes a world where conventional timekeeping is irrelevant. The phrase "On met pas d'montres pour l'heure" (We don't wear watches to tell the time) suggests that time, in its traditional sense, is not a primary concern. It's a world where survival, status, and immediate needs take precedence over schedules and appointments.

The second part of the line, "elles sont pas à l'heure, ici, on juge au poignet" (they're not for the time, here we judge by the wrist), introduces a crucial element: the Rolex. The Rolex, in this context, is not merely a timepiece; it's a symbol of status, success, and achievement. It's a visible marker of having "made it," a sign that one has transcended the struggles of their environment. The phrase "on juge au poignet" (we judge by the wrist) highlights the importance of material possessions as indicators of worth and accomplishment within this specific social context. It's a harsh reality where outward appearances often dictate perceptions. This line speaks volumes about the values and priorities within Werenoi's world. It’s not about punctuality; it’s about presence, power, and the tangible representation of success.

Line 2: "J'ai vu ces chiens à l'arrêt d'bus, le Brabus passe, j'entends aboyer"

This line is rich in imagery and metaphor. "J'ai vu ces chiens à l'arrêt d'bus" (I saw those dogs at the bus stop) paints a picture of people struggling, waiting, and perhaps feeling trapped in their circumstances. The use of the word "chiens" (dogs) is particularly significant. It's a derogatory term, suggesting that these individuals are seen as inferior or subservient. It implies a power dynamic where Werenoi, or someone in his position, is above them. The bus stop, a symbol of public transportation and limited resources, further emphasizes their disadvantaged position.

The phrase "le Brabus passe, j'entends aboyer" (the Brabus passes, I hear barking) introduces a stark contrast. The Brabus, a high-performance luxury vehicle, represents wealth, success, and upward mobility. Its passing evokes envy and resentment from those left behind at the bus stop. The "barking" of the "dogs" is a metaphorical expression of their frustration, anger, and perhaps even their futile attempts to challenge the established order. The Brabus becomes a symbol of unattainable aspiration for those stuck in their current circumstances. It’s a powerful juxtaposition of wealth and poverty, highlighting the inequalities that permeate Werenoi's world.intro rolex werenoi parole

Line 3: "Y a..."

The abrupt ending with "Y a..." (There is...) leaves the listener hanging, creating a sense of anticipation and unresolved tension. It suggests that there's more to the story, more to be revealed. It's a cliffhanger that encourages the listener to seek out more of Werenoi's music and delve deeper into his world. This deliberate incompleteness is a stylistic choice that enhances the overall impact of the intro.

English Translation and Nuances:

While a direct translation of "Intro Rolex" can convey the literal meaning of the words, it's important to consider the nuances and cultural context to fully appreciate the depth of the lyrics. Here's a potential English translation:

* "We don't wear watches to tell the time, they're not for the time, here we judge by the wrist."

* "I saw those dogs at the bus stop, the Brabus passes, I hear barking."